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Friberg, A., and Sundstrom, J. (2002). “Swing ratios and ensemble timing in jazz performance: Evidence for a common rhythmic pat- tern,” Music Perception 19(3), 333-349.
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Fulop, Sean A., and Fitz, Kelly (2006). “Algorithms for computing the time-corrected instantaneous frequency (reassigned) spectro- gram, with applications,” J. Acoust. Soc. Am. 119(1), 360–371.
Gabrielsson, A., ed. (1987). Action and Perception in Rhythm and Music. Papers given at a Symposium in the Third International Conference on Event Perception and Action. Royal Swedish Academy of Music, #55. Stockholm, Sweden.
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Online resources:
http://www.makemusic.com/practice_tools.aspx http://www.majorthird.com
http://flat5software.com
http://www.red-sweater.com/clarion http://fastrabbitsoftware.com/eartraining.htm http://homepage.mac.com/ronmiller2/RonsSite/software.html http://www.lpeters.de
http://www.cope.dk
http://www.midomi.com
http://www.pandora.com
http://www.musicip.com
http://www.wizoo.com/ (original maker of Darbuka and Latigo software, now owned by digidesign.com) http://www.tlafx.com/
Discography:
Louis Armstrong and Duke Ellington - Louis Armstrong meets Duke Ellington (1962)
Paul Simon - Graceland (1986)
Ray Charles - Genius Loves Company (2004)
Bob Marley - Legend (1990)
Grupo Batuque - Samba de Futebol (2004)
Luciano Perrone e Nilo Sergio - Os Ritmistas Brasileiros Batucada Fantastica (1963/1998)
Ken Lindsay is an Information Science researcher with tlafx in Ashland, Oregon. His current work includes extracting previously unseen information from music and biophysical signals. Previously he worked for 8 years at NASA Ames Research Center in the Neuro Engineering Lab, developing real- time 3D graphics for flight simula- tors. In other incarnations he has worked in hardware and software engineering, theatre, film and radio. A serious student of Brazilian music for over 10 years, he has performed in the San Francisco Bay area, New
Orleans, and Rio de Janeiro. He holds an MS in Math and Computer Science from Southern Oregon University.
Pete Nordquist is an assistant profes- sor in the Department of Computer Science at Southern Oregon University (SOU). He holds an MS in Computer Science and Engineering from the Oregon Graduate Institute and an MM in Choral Conducting from the University of Missouri Kansas City Conservatory of Music. He worked for 14 years at Intel Corporation in various software development groups and has taught computer science at SOU for the past
five years. His musical involvement includes having sung with the Kansas City Chorale and the Oregon Repertory Singers. He currently sings with the SOU Chamber Choir, the Rogue Valley Chorale, and serves as rehearsal assistant for the Rogue Valley Youth Ensemble.
42 Acoustics Today, July 2007