Page 36 - Summer 2010
P. 36

 Halwani, G. F., Loui, P., and Schlaug, G. (2010). “Enhanced vocal- motor networks in singers as revealed by diffusion-tensor imag- ing,” submitted.
Heaton, P. (2003). “Pitch memory, labelling and disembedding in autism,” J. Child Psychology and Psychiatry and Allied Disciplines 44, 543–551.
Hebert, S., and Peretz, I. (1997). “Recognition of music in long-term memory: Are melodic and temporal patterns equal partners?,” Memory and Cognition 25, 518–533.
Helm-Estabrooks, N., Nicholas, M., and Morgan, A. (1989). Melodic Intonation Therapy (Pro-Ed, Austin).
Hoelzley, P. D. (1993). “Communication potentiating sounds: Developing channels of communication with autistic children through psychobiological responses to novel sound stimuli,” Canadian J. Music Therapy 1, 54–76.
Hutchins, S., Zarate, J. M., Zatorre, R. J., and Peretz, I. (2010). “An acoustical study of vocal pitch matching in congenital amusia,” J. Acoust. Soc. Am. 127, 504–512.
Hyde, K. L., Lerch, J. P., Zatorre, R. J., Griffiths, T. D., Evans, A. C., and Peretz, I. (2007). “Cortical thickness in congenital amusia: When less is better than more,” J. Neurosci. 27, 13028–13032.
Hyde, K. L., Zatorre, R. J., Griffiths, T. D., Lerch, J. P., and Peretz, I. (2006). “Morphometry of the amusic brain: A two-site study,” Brain 129, 2562–2570.
Hyde, K. L., Lerch, J., Norton, A., Forgeard, M., Winner, E., Evans, A. C., and Schlaug, G. (2009). “Musical training shapes structur- al brain development,” J. Neurosci. 29, 3019–3025.
Hyde, K. L., Zatorre, R. J., and Peretz, I. (2010). “Functional MRI evidence of an abnormal neural network for pitch processing in congenital amusia,” Cerebral Cortex, doi:10.1093/cercor/bhq094
Iacoboni, M., and Dapretto, M. (2006). “The mirror neuron system and the consequences of its dysfunction,” Nature Reviews Neurosci. 7, 942–951.
Jeffries, K. J., Fritz, J. B., and Braun, A. R. (2003). “Words in melody: An H(2)15O PET study of brain activation during singing and speaking,” Neuroreport 14, 749–754.
Kleber, B., Veit, R., Birbaumer, N., Gruzelier, J., and Lotze, M. (2009). “The brain of opera singers: Experience-dependent changes in functional activation,” Cerebral Cortex 20, 1144–1152.
Koelsch, S., Gunter, T. C., von Cramon, D. Y., Zysset, S., Lohmann, G., and Friederici, A. D. (2002). “Bach speaks: A cortical ‘lan- guage-network’ serves the processing of music,” Neuroimage 17, 956–966.
Krumhansl, C. L., Toivanen, P., Eerola, T., Toiviainen, P., Jarvinen, T., and Louhivuori, J. (2000). “Cross-cultural music cognition: Cognitive methodology applied to North Sami yoiks,” Cognition 76, 13–58.
Lahav, A., Saltzman, E., and Schlaug, G. (2007). “Action representa- tion of sound: Audiomotor recognition network while listening to newly acquired actions,” J. Neurosci. 27, 308–314.
Loui, P., Alsop, D., and Schlaug, G. (2009). “Tone-deafness: A dis- connection syndrome?,” J. Neurosci. 29, 10215–10220.
Loui, P., Guenther, F. H., Mathys, C., and Schlaug, G. (2008). “Action-perception mismatch in tone-deafness,” Current Biology 18, R331–332.
Loui, P., Hohmann, A., and Schlaug, G. (2010). “Inducing disorders in pitch perception and production: A reverse-engineering approach,” Proceedings of Meetings on Acoustics 9, 1–8.
Mandell, J., Schulze, K., and Schlaug, G. (2007). “Congenital amu- sia: An auditory-motor feedback disorder?,” Restorative Neurology and Neurosci. 25, 323–334.
Meister, I. G., Krings, T., Foltys, H., Boroojerdi, B., Müller, M., Töpper, R., and Thron, A. (2004). “Playing piano in the mind—
 An fMRI study on music imagery and performance in pianists,”
Brain Res. Cognitive Brain Res. 19, 219–228
Meyer, M., Alter, K., Friederici, A. D., Lohmann, G., and von
Cramon, D. Y. (2002). “FMRI reveals brain regions mediating slow prosodic modulations in spoken sentences,” Human Brain Mapping 17, 73–88.
Miller, S. B., and Toca, J. M. (1979). “Adapted melodic intonation therapy: A case-study of an experimental language program for an autistic child,” J. Clinical Psychiatry 40, 201–203.
Norton, A., Zipse, L., Marchina, S., and Schlaug, G. (2009). “Melodic intonation therapy: shared insights on how it is done and why it might help,” Annals New York Acad. Sci. 1169, 431–436.
Olsho, L. W., Schoon, C., Sakai, R., Turpin, R., and Sperduto, V. (1982). “Auditory frequency discrimination in infancy,” Developmental Psychology 18, 721–726.
Ozdemir, E., Norton, A., and Schlaug, G. (2006). “Shared and dis- tinct neural correlates of singing and speaking,” NeuroImage 33, 628–635.
Patel, A. D., Foxton, J. M., and Griffiths, T. D. (2005). “Musically tone-deaf individuals have difficulty discriminating intonation contours extracted from speech,” Brain Cognition 59, 310–313.
Patel, A. D., Wong, M., Foxton, J., Lochy, A., and Peretz, I. (2008). “Speech intonation perception deficits in musical tone deafness (congenital amusia),” Music Perception 25, 357–368.
Peretz, I. (1990). “Processing of local and global musical informa- tion by unilateral brain-damaged patients,” Brain 113 ( Pt 4), 1185–1205.
Peretz, I. (2006). “The nature of music from a biological perspec- tive,” Cognition 100, 1–32.
Peretz, I., Champod, A. S., and Hyde, K. (2003). “Varieties of musi- cal disorders. The Montreal battery of evaluation of amusia,” Annals New York Acad. Sci. 999, 58–75.
Pulvermuller, F. (2005). “Brain mechanisms linking language and action,” Nature Reviews Neurosci. 6, 576–582.
Rilling, J. K., Glasser, M. F., Preuss, T. M., Ma, X., Zhao, T., Hu, X., and Behrens, T. E. (2008). “The evolution of the arcuate fascicu- lus revealed with comparative DTI,” Nature Neurosci. 11, 426–428.
Schlaug, G., Marchina, S., and Norton, A. (2008). “From singing to speaking: why patients with Broca's aphasia can sing and how that may lead to recovery of expressive language functions,” Music Perception 25, 315–323.
Schlaug, G., Marchina, S., Norton, A. (2009). “Evidence for plastic- ity in white-matter tracts of patients with chronic Broca's apha- sia underoing intense intonation-based speech therapy,” Annals New York Acad. Sci. 1169, 385–394.
Schlaug, G., Norton, A., Marchina, S., Zipse, L., and Wan, C.Y. (2010). “From singing to speaking: Facilitating recovery from nonfluent aphasia,” Futures of Neurology (in press).
Schuppert, M., Munte, T. F., Wieringa, B. M., and Altenmuller, E. (2000). “Receptive amusia: Evidence for cross-hemispheric neu- ral networks underlying music processing strategies,” Brain 123 Pt 3, 546–559.
Sparks, R., Helm, N., and Albert, M. (1974). “Aphasia rehabilitation resulting from melodic intonation therapy,” Cortex; a journal devoted to the study of the nervous system and behavior 10, 303–316.
Sparks, R. W., and Holland, A. L. (1976). “Method: Melodic intona- tion therapy for aphasia,” J. Speech Hearing Disorders 41, 287–297.
Tillmann, B., Janata, P., and Bharucha, J. J. (2003). “Activation of the inferior frontal cortex in musical priming,” Cognitive Brain Res. 16, 145–161.
Neurological Bases and Applications of Singing 35























































   34   35   36   37   38