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Farina, A. (2007). Advancements in Impulse Response Measurements by Sine Sweeps. Presented at the 122nd Convention of the Audio Engineering Soci- ety, Vienna, Austria, May 5-8, 2007. Available at https://www.researchgate. net/publication/228670187. Accessed August 12, 2018.
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Kolar, M. A. (2013). Archaeological Psychoacoustics at Chavín de Huántar, Perú. PhD Dissertation, Stanford University, Stanford, CA.
Kolar, M. A. (2014). Pututus, resonance and beats: Acoustic wave interfer- ence effects at Ancient Chavín de Huántar, Perú. The Journal of the Acous- tical Society of America, 136, 2270. https://doi.org/10.1121/1.4900202. Lay language version with media examples available at https://ccrma.stanford. edu/groups/chavin/ASA2014.html.
Kolar, M. A. (2017). Sensing sonically at Andean Formative Chavín de Huántar, Perú. Time and Mind: The Journal of Archaeology, Con- sciousness and Culture 10(1), 39-59. https://doi.org/10.1080/175169 6X.2016.1272257.
Kolar, M. A., Covey, R. A., and Cruzado Coronel, J. L. (2018). The Huánuco Pampa acoustical field survey: An efficient, comparative archaeoacoustical method for studying sonic communication dynamics. Heritage Science 6, 39. https://doi.org/10.1186/s40494-018-0203-4.
Kolar, M. A., Rick, J. W., Cook, P. R., and Abel, J. S. (2012). Ancient pututus contextualized: Integrative archaeoacoustics at Chavín de Huántar, Perú. In Stöckli, M., and Both, A. (Eds.), Flower World: Music Archaeology of the Americas, Ekho Verlag, Berlin, vol. 1., pp. 23-54.
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Scarre, C., and Lawson, G. (2006). Archaeoacoustics. McDonald Institute for Archaeological Research. Oxbow Books, Oxford, UK.
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BioSketch
Miriam Kolar’s cultural acoustics re- search leverages acoustics and psycho- acoustics to study sound in cultural contexts. Since 2008, she has led archaeo- acoustics research at the UNESCO World Heritage site Chavín de Huántar, Perú, where her methodological inno-
vations include on-site auditory localization experiments to evaluate experiential implications of archaeological ar- chitectural acoustics. Recently a Weatherhead Fellow at the School for Advanced Research (SAR), Santa Fe, NM, Kolar received her PhD as a Stanford Interdisciplinary Graduate Fellow at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, CA. Prior to her doctoral study, Kolar engineered concert sound design and location recordings, and directed the CalArts under-graduate music technology program.
Women in Acoustics
The ASA's Women in Acoustics Committee was created in 1995 to address the need to foster a supportive atmosphere within the Society and within the scientific community at large, ultimately encouraging women to pursue rewarding and satisfying careers in acoustics.
Learn more about the committee at http://womeninacoustics.org.
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