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12 E. W. Forbes, Dir. Fogg Museum in Harvard Graduates Magazine 19, 406 (1910-11).
13 A. Beveridge, “Field Study Problem #2,” Student report, Course: Architecture 7-3b–Acoustics, Spring 1973.
14 W. J. Cavanaugh and J. A. Wilkes, Architectural Acoustics (Wiley, New York, 1999).
15 Architectural Review III(4), 32, Plate XXI, “Longitudinal section of the Fogg Art Museum for Harvard College” (August 1894).
16 R. B. Newman and E. A. Wetherill, “Hunt Hall–An historical review,” J. Acoust. Soc. Am. 55(2) 473 (1974).
17 E. A. Wetherill, “Sabine’s First Experiment,” in Proceedings of the Wallace Clement Sabine Centennial Symposium, 5—7 June 1994, Acoustical Society of America (1994).
18 E. A. Wetherill, “Lecture room in Hunt Hall (formerly the Fogg Art Museum), Harvard University–An historical review,” J. Acoust. Soc. Am. 60, S9(A) (1976).
19 B. F. G. Katz, “International round robin on room acoustical impulse response analysis software 2004,” Acoust. Res. Lett. Online 5(4), 158-164 (2004).
20 CATT-Acoustic, http://www.catt.se/
Ewart (Red) Wetherill is an acoustical consultant in the San Francisco area. A registered architect and former professor of archi- tecture in both the US and Canada, he has been in the profession of building acoustics for over 40 years. He has authored papers and co-edited a number of ASA publications on the subject, including Halls for Music Performance: Two
Decades of Experience, 1962—1982 with W. Cavanaugh and R. Talaske, and Acoustics of Worship Spaces with D. Lubman.
Brian F. G. Katz is a researcher at the LIMSI- CNRS laboratory and coor- dinator of the Sound & Space research theme. His fields of interest include spa- tial 3D audio rendering and perception and room acoustics. With a back- ground in Physics and Philosophy, he obtained his Ph.D. in Acoustics from Penn State in 1998. Before
joining CNRS, he worked for various Acoustic Consulting firms, including Artec Consultants Inc., ARUP & Partners, and Kahle Acoustics. He has also worked at the Laboratoire d’Acoustique Musical and IRCAM in Paris.
16 Acoustics Today, July 2007